History of the “Sounds” of Music Part #1967

The 1960s..."The Road to Woodstock" Evolution of the Sounds of Music

Classic Rock Turntables.com

By William W. Nelson

Founder of the Asheville School of Classic Rock

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1967

Introduction

We are now 2 years from the "Woodstock Music & Art Fair" (August 1969) billed as the "Counter Culture Nation Convention"... Boomer Youth are now 21 and can now die in Vietnam and finally Vote! Rock On ♪♪♪

This year marked the 3rd pivotal year in the Evolution of popular music, characterized by intense Artistic Innovation and Creativity. Several watershed albums were released that pushed the boundaries of songwriting, recording techniques, and artistic expression... and there were 24 "Notable" Eock bands that were formed in 1967.

But first, let us follow the Old Guard of "Notables:

The Rolling Stones returned for their 5th trip to the Ed Sullivan Show on January 15th, 1967 to perform a set that included new tracks from their soon-to-be-released album, Between The Buttons. The first number, “Ruby Tuesday” was a memorable performance by Jagger and Company and then the Band followed up with a notorious censored version of “Let’s Spend The Night Together.”

Earlier that day, CBS and Sullivan had demanded that Mick change the lyric, “Let’s spend the night together,” to “Let’s spend some time together.” Ed issued the Ultimatum when the Band balked, “Either the song goes, or you go.” After finally agreeing, the Band was repeatedly reminded about the line change during dress rehearsal. Mick, fed up with being told what to do, cussed out talent coordinator Vince Calandra, when he was once again reminded he needed to change the lyrics of the Song.

While performing the song live, Mick did as he was told but rolled his eyes and sarcastically exaggerated the altered line. On the following week’s show, CBS replayed Rolling Stone’s performance of “Ruby Tuesday” but chose not to rerun the controversial “Let’s Spend the Night Together.”

Next was their Sojourn to Europe... the 1967 European Tour was to promote their new album Between the Buttons and new singles "Let's Spend the Night Together" and "Ruby Tuesday". They did Concerts on 13 April, they played 2 Shows at the Palace of Culture and Science in Warsaw, Poland. The People who did attend were told to behave accordingly during the Concert or they would be removed from the Venue, however, a Riot started. Visiting Soviet officials were not pleased by their performance and it would be a long while before the Stones would return to the Nations.

"They thought the show was so awful, so decadent, that they said this would never happen in Moscow,"—Mick Jagger.

The Beatles spent much of the year recording their groundbreaking Album "Sgt. Pepper's Lonely Hearts Club Band," which was released on June 1, 1967. They also recorded other Songs during this period, including "Strawberry Fields Forever," "Penny Lane," and Tracks for the "Magical Mystery Tour" EP. The Sgt. Pepper Album is often credited with changing the perception of what Tracks an Album couls contain , influencing countless Artists and Genres in the years to come.

The Beatles did no Live Concerts, but overall, 1967 was a pivotal year for the Band, marking their transition from a Live Performing Band to a Studio-centric Group, which allowed them to Innovate and redefine the Souns of Popular Music.

The Beach Boys released on September 18, Smiley Smile was an Album that emerged after the ambitious Smile Project was abandoned. It featured a more stripped-down Sound and included Tracks like "Heroes and Villains" and "Vegetables." The Album was characterized by its playful yet complex arrangements, showcasing Brian Wilson's evolving Songwriting.

Wild Honey was released on December 18. This Album marked a further departure from their previous work, incorporating elements of R&B and Soul. The title Track "Wild Honey" and others like "Darlin'" and "Aren't You Glad" highlighted the Band's new Direction.

Bob Dylan was in a period of transition and relative seclusion following a motorcycle accident in 1966 and largely retreated from the Public Eye in 1967. Columbia Records released "Bob Dylan's Greatest Hits," a compilation album featuring his most Popular Songs up to that point. This Album served as a stopgap between his Studio Albums and it peaked at No. 10 on the U.S. Pop Album Chart.

During this period, Dylan was recording informal Sessions with The Band in the basement of a House in West Saugerties, New York. These recordings, later known as "The Basement Tapes," were not officially released until 1975 but were created during this time.

Dylan recorded his 8th Studio Album, "John Wesley Harding." The Sessions took place on October 17, November 6, and November 29 in Nashville... it featured a return to a more Acoustic, Folk-influenced Sound after his previous Electric Rock Albums.

John Mayhall & The Bluesbreakers released their Album "Crusade" which featured a new Lineup (without Eric Clapton) of the Bluesbreakers, including a young Mick Taylor on Guitar, who would later join The Rolling Stones. The Album is known for its strong Blues influence and is notable for its powerful performances and tight arrangements. Peter Green, who had been a key member of the Bluesbreakers, left to form Fleetwood Mac. His departure marked a significant change in the band's sound, as Green was known for his distinctive Guitar tones and emotive playing. Mick Taylor's arrival filled this gap but also shifted the Band's musical direction slightly.

Taylor, who was only 18 years old at the time, brought a fresh and technically proficient Guitar Style to the Bluesbreakers. His playing was characterized by its fluidity and precision, which added a new dimension to the Band's Sounds. Taylor's influence helped the Band transition into a more sophisticated Blues Rock Style.

Simon & Garfunkel performances included: Expo '67 in Montreal (July 14-15), Monterey Pop Festival (June 16)Civic Opera House in Chicago (November 24-25)... a Concert at Lincoln Center in New York City in January 1967 was recorded and later released as "Live from New York City, 1967". This album showcases their early hits and the duo's impressive Vocal Harmonies.

Single Song Releases "At the Zoo" (#16) and "Fakin' It" (#23) were part of the Album their fourth studio album, "Bookends" (1968)... They contributed several songs to Mike Nichols' film "The Graduate", including an early version of "Mrs. Robinson."

The Byrds released Albums "Younger Than Yesterday" and "The Byrds' Greatest Hits" with notable Tracks "So You Want to Be a Rock 'n' Roll Star," "My Back Pages (#83)" and "Have You Seen Her Face"... The Byrds performed at the Monterey Pop Festival in June, a pivotal event in Rock Music history.

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This competitive spirit led to the growth of new Genres expanding the Musical Landscape and "Setting the Stage for Future Development":

Folk Rock: Folk Rock continued to evolve and expand its influence, marked by significant releases and shifts in Musical evolution. The Byrds released "Younger Than Yesterday," showcasing a blend of psychedelic and country rock elements, while Bob Dylan's "John Wesley Harding" marked a return to a more Acoustic, Folk-oriented Sound. Simon & Garfunkel maintained their popularity with hits like "At the Zoo."

The Monterey Pop Festival highlighted the Genre's prominence in the counterculture movement... it showcased a diverse lineup of Artists that represented the evolving Sound of Rock, Folk, and Psychedelic Music. The Festival featured groundbreaking performances by established acts like The Who and The Byrds... as well as introducing American audiences to emerging talents like Jimi Hendrix and Janis Joplin. It helped launch the careers of several artists and solidified the importance of the San Francisco music scene.

The festival's Peaceful atmosphere and celebration of music and art embodied the "Summer of Love" ethos, setting a template for future music festivals like Woodstock. Importantly, it also marked a shift in how rock music was perceived, elevating it from mere entertainment to a form of artistic expression and cultural statement. The Monterey Pop Festival's influence extended beyond music, helping to define the aesthetic and values of the counterculture movement that would shape the late 1960s and beyond.

Folk rock artists began incorporating psychedelic influences, as seen in Buffalo Springfield's "Buffalo Springfield Again," and laid the groundwork for Country rock. This year solidified Folk Rock's place in the broader Rock Music landscape and its cultural impact during the "Summer of Love."

The festival, which featured a diverse lineup of artists including Jimi Hendrix, Janis Joplin, The Who, and Simon & Garfunkel, embodied the themes of peace, love, and music that defined the era. It was one of the first major music festivals to bring together a wide array of musical genres, from rock and folk to blues and psychedelic music, showcasing the burgeoning San Francisco music scene.

The Festival's atmosphere, characterized by free-spiritedness, communal living, and the ready availability of Sex and Drugs, mirrored the ethos of the Period. Additionally, the Festival's success and wide media coverage helped to popularize the hippie movement and the concept of music festivals as cultural events, setting the stage for future iconic gatherings like Woodstock. The Festival thus played a crucial role in shaping the cultural landscape of 1967 and beyond, marking the beginning of a transformative period in American society

Psychedelia Sounds: The year 1967 marked a pivotal moment in the evolution of Psychedelic Sounds, with numerous groundbreaking Albums and Artists pushing the boundaries of Music. This year saw the release of seminal works like The Beatles' "Sgt. Pepper's Lonely Hearts Club Band," which revolutionized studio techniques and incorporated Eastern influences. Other influential debuts included "The Doors" self-titled album, Jimi Hendrix's "Are You Experienced," and Pink Floyd's "The Piper at the Gates of Dawn," each contributing unique elements to the Psychedelic Soundscape.

The use of Innovative Studio effects, such as Tape Manipulation, Reverb, and Phasing, became more prevalent, while Electronic Instruments like early Synthesizers and the Mellotron added new Textures to Recordings. Lyrically, themes of surrealism, altered consciousness, and fantastical imagery dominated, reflecting the influence of Psychedelic Drugs on the creative Process.

The Monterey Pop Festival further cemented Psychedelic Music's cultural impact, featuring performances by many key Artists of the genre. This explosion of creativity and experimentation in 1967 laid the foundation for Psychedelic Music's enduring influence on popular culture.

Baroque Pop: Baroque pop experienced significant evolution and prominence in 1967, building on the foundations laid in the mid-1960s. This year saw the genre reach new heights of sophistication and popularity, largely due to influential albums like The Beatles' "Sgt. Pepper's Lonely Hearts Club Band," which masterfully incorporated classical elements into rock music.

Other key releases included The Moody Blues' "Days of Future Passed," which blended rock with full orchestral arrangements, and The Beach Boys' "Smiley Smile," which, while scaled back from the ambitious "Smile" project, still retained elements of baroque complexity.

The use of classical instruments like harpsichords, strings, and woodwinds became more prevalent in rock music, while studio techniques advanced to allow for more intricate arrangements. Bands like Procol Harum gained popularity with singles like "A Whiter Shade of Pale," which featured prominent Bach-inspired organ melodies. This year marked a high point for baroque pop, as it successfully merged the sophistication of classical music with the energy and innovation of rock, creating a lush, ornate sound that would influence music for years to come.

Punk Rock: Proto-punk Bands like The Velvet Underground and The Stooges were forming and beginning to develop their raw, energetic Sounds that would become a Blueprint for Punk. The Velvet Underground released their influential debut album "The Velvet Underground & Nico" featuring a gritty, Avant-garde style that challenged mainstream Rock conventions. Meanwhile, The Stooges, led by Iggy Pop, were experimenting with a stripped-down, aggressive form of rock in Detroit. Additionally, Garage Rock Bands of the mid-1960s were pushing boundaries with their DIY Ethos and Rebellious attitudes, laying the groundwork for Punk's future emergence. While Punk as a defined Genre wouldn't fully materialize until the mid-1970s, these 1967 developments in Rock Music were crucial steps in its evolution, introducing elements of raw energy, simplicity, and anti-establishment sentiment that would become hallmarks of Punk Rock.

Funk: The year 1967 marked a pivotal moment in the evolution of funk music, with James Brown's groundbreaking Single "Cold Sweat" often cited as the first true Funk Record. This Track introduced several key elements that would define the Genre, including a strong emphasis on Rhythm over Melody, a prominent Bassline, and the concept of playing "on the one" - emphasizing the first beat of each measure. Brown's innovation in "Cold Sweat" included a two-bar rhythmic pattern that felt more like 8/4 than 4/4, creating a uniquely funky beat.

Additionally, 1967 saw the debut of Sly & The Family Stone with their album "A Whole New Thing," which further contributed to the development of Funk's signature Sound. The emergence of Funk represented a shift away from the Traditional Soul and R&B structures, emphasizing Groove, Syncopation, and extended Instrumental Passages. This year set the stage for Funk's explosion in popularity and influence throughout the late 1960s and 1970s, paving the way for artists like Parliament-Funkadelic, Kool & The Gang, and Earth, Wind & Fire to further develop the Genre.

Latin Music: Latin Music was marked by the continued rise of various Styles and the Fusion of traditional and modern influences. The year saw the widespread popularity of the Brazilian bossa nova, led by artists like Antônio Carlos Jobim, which had already begun to make international waves. Meanwhile, the Boogaloo movement was gaining momentum, particularly in New York City, where young Musicians like Joe Bataan and Pete Rodríguez were blending Latin Rhythms with Soul and R&B to create a vibrant, danceable Sound.

The success of Boogaloo Hits such as "I Like It Like That" by Pete Rodríguez exemplified this Trend. Additionally, the groundwork for salsa was being laid as musicians began experimenting with combining Cuban son, Puerto Rican plena, and North American jazz and rock elements. This period also saw the influence of pioneering Labels like Alegre Records, which played a crucial role in promoting Latin Music and Artists. These developments in 1967 were instrumental in shaping the future of Latin Music, leading to the emergence of Salsa and other hybrid Genres that would dominate the Latin Music Scene in the following Decades.

Soul: Soul Music reached new heights of popularity and Artistic Expression, solidifying its place as a dominant force in American popular Culture. This year saw the release of several landmark albums and singles that would define the genre. Aretha Franklin, dubbed the "Queen of Soul," released her breakthrough Atlantic Records debut "I Never Loved a Man the Way I Love You," which included her iconic version of "Respect," transforming Otis Redding's original into a powerful anthem of female empowerment.

James Brown continued to innovate with Tracks like "Cold Sweat," often considered the first true Funk Record, pushing Soul Music in a more Rhythmically complex direction. The rise of Stax Records and its artists like Sam & Dave, who released their hit "Soul Man" this year, further cemented the Memphis Soul Sound.

Meanwhile, Motown Artists like The Temptations with "I Wish It Would Rain" continued to refine their polished, Pop-influenced style of Soul. This year also saw Soul Music increasingly reflecting the Social and Political climate of the time, with many Artists incorporating Themes of Civil Rights and Black Pride into their Music. The evolution of Soul in 1967 demonstrated the Genre's growing Sophistication, Dversity, and Cultural impact, setting the Stage for its continued prominence in the years to come.

Jazz: This year saw the further development of Avant-garde and Free Jazz, with Artists like John Coltrane (who tragically passed away in July 1967) pushing the boundaries of the Genre. Coltrane's final album, "Expression," released posthumously, showcased his continued experimentation with Free-form Improvisation. Meanwhile, Miles Davis was in a transitional period, moving towards a more Electric Sound that would culminate in his Fusion works of the late 1960s and early 1970s. Albums like "Sorcerer" and "Nefertiti" hinted at this coming shift.

The year also saw important releases in Post-bop and Hard bop from Artists like Wayne Shorter ("Schizophrenia") and McCoy Tyner ("The Real McCoy"). Additionally, the influence of Rock and Soul on Jazz became more pronounced, setting the stage for the emergence of Jazz Rock Fusion in the coming years. The Newport Jazz Festival of 1967 showcased this diversity, featuring performances ranging from traditional Jazz to more experimental forms, reflecting the Genre's ongoing evolution and the coexistence of multiple Jazz Styles during this pivotal year.

The Blues: 1967 was a year that saw continued Experimentation and Blending of Blues and Jazz (Blazz) Elements, building on trends from earlier in the decade. Artists like B.B. King were incorporating more sophisticated Jazz Harmonies into their Blues playing, while Jazz Musicians like Miles Davis were exploring Blues-based Structures in their Compositions. The Electric Flag, formed in 1967, explicitly aimed to combine Blues, Jazz, Rock, and Soul in their music. Chicago-based Blues Artists like Buddy Guy ("Let Me Love You") were pushing the boundaries of Traditional Blues, incorporating elements of Jazz and Psychedelic Rock. Meanwhile, Jazz Musicians like Lou Donaldson were releasing Albums ("Blowin' In The Wind") and ("Lush Life" - "Alligator Bogaloo") that blended Hard Bop Jazz with Blues and Funk influences. This Cross-pollination between Blues and Jazz was part of a broader trend of Genre-blending in Popular Music, setting the Stage for further Fusion experiments in the years to come.

My Take: In 1967, the Evolution of Music Sounds was marked by significant Experimentation and Innovation across multiple Genres. Psychedelic Rock reached new heights, with albums like The Beatles' "Sgt. Pepper's Lonely Hearts Club Band" showcasing Innovative Studio Techniques such as Tape Manipulation, elaborate Overdubbing, and the use of unconventional Instruments. The use of Electronic Instruments, particularly early Synthesizers and the Mellotron, became more prevalent, adding new Textures to Recordings.

In the Realm of Soul and R&B, Artists like James Brown pushed the boundaries with tracks like "Cold Sweat," which emphasized rhythm over melody and introduced Elements that would help further define Funk Ausic. Jazz continued to evolve, with artists like Miles Davis incorporating Electric Instruments and moving towards Fusion developments. The year also saw the rise of more Experimental and Avant-garde approaches in Rock, exemplified by Albums like The Velvet Underground & Nico. Overall, 1967 was characterized by a blending of Genres, increased use of Studio effects, and a willingness to push Musical Boundaries, "Setting the Stage" for the Diverse and Experimental Sounds that would define the late 1960s and early 1970s.

Rock Music Timeline

The "Summer of Love" 1967

John Phillips of the Mama's & The Papa's organized the first full-scale Rock Festival in Monterey, California. With total attendance of 200,000, the three-day Event is filmed and includes Jimi Hendrix, The Who, Otis Redding, Jefferson Airplane, The Association, Janis Joplin, and many others.

Songs By Veteran Rockers

The Byrds released the Single "So You Want To Be A Rock n' Roll Star". The Song is a satirical look at the trend towards manufactured Pop Groups. The Single charts at #29 US.

Folk Group The Seeker's Single "Georgy Girl" is the Theme Song for the UK film of the same name. The Song hits #2 US, #3 UK, and goes all the way to #1 in their native Australia. The Seekers had hit #1 twice before in both Australia and the UK(Songs).

The Beatles release the Psychedelic-influenced double Single "Strawberry Fields Forever" (US #8, UK #2) b/w "Penny Lane" (#1 US, #2 UK). Both Songs are released with promotional Films that are early examples of Music Videos. Their other Releases were (Songs).

The Beatles released their 8th studio Album, "Sgt. Peppers Lonely Hearts Club Band." After stopping touring in 1966, the Band spent more time in the Studio Recording. The Album topped the charts for 15 weeks in the US, and 27 weeks in the UK and would win the '68 Grammy Award for Best Album.

Beatles Manager Brian Epstein died of a Drug Overdose at the age of 33. Often mediating Disputes within the Band, Epstein's Death would be a contributing factor in the dissolution of the Band 2 years later.

California Band The Turtles return to the Pop Charts with their biggest Single "Happy Together" #1 US, and #12 UK. The follow up single "She'd Rather Be With Me" reached #3 US, #4 UK in June 1967. The group would have 7 US Top 20 hit Singles in their Career (Songs).

Birmingham, UK Band The Spencer Davis Group hit #7 US, and #2 UK with the Single "Gimme Some Lovin". The Band had previously topped the UK charts twice in 1966 with the Singles "Somebody Help Me" and "Keep On Running"

Despite their recent legal troubles with Mary Jane, The Rolling Stones have no trouble scoring hits, as the Single "Ruby Tuesday" reaches #1 US, and #3 UK. The Song is an Ode to a Groupie written by Guitarist Keith Richards. The Song is from the Band's 5th UK album "Between The Buttons" which reached #2 US, and #3 UK.

Elvis Presley married 21-year-old Priscilla Beaulieu in Las Vegas.... having met in Germany while Elvis was serving in the Army, they had been Dating since she was 14.

After hitting #1 US in May with "The Happening" power struggles led to the departure of Founding Member Florence Ballard from The Supremes, who would hereafter be known as Diana Ross and the Supremes.

After appearing at the Monterey Pop Festival in June, The Who had their first US Top Ten Hit with "I Can See For Miles". In December they smash their instruments on US TV's Primetime Show The Smothers Brothers Show.

Otis Redding released 3 Albums "King & Queen" (with Carla Thomas), "Live in Europe," and History of Otis". Touring nationally following his success at the Monterey International Pop Festival, Master Soul Singer Otis Redding and several Members of his Band the Bar-Kays were killed when their Plane crashed into a frozen Lake on their way to play at the Factory Nightclub, near the University of Wisconsin in Madison, Wisconsin on December 10... R.I.P. Otis and Rock On! (I was supposed to be there... Fck)

Note: While Redding's Cusic is not Technically classified as Classic Rock, some of his Songs, such as "(Sittin' On) The Dock of the Bay," have crossed over into Classic Rock Radio Playlists.

Songs by New Listed Rockers in 1967

Los Angeles Band The Doors released their debut Album ("The Doors") which eventually went to #2 and features the Single "Light My Fire" which would hit #1 US in July. The single was edited down from the seven-minute Album version of the Song.

The Buckinghams go to #1 US with their Single "Kind Of A Drag". Despite the British Invasion-influenced Band name and look, the group is from Chicago, Illinois. The Band hit the US Top Ten 3 times in 1967 (Songs).

New York City Band The Velvet Underground, managed by Andy Warhol, released their debut Album "The Velvet Underground and Nico". Although not a commercial success (peaking at #171 US), the stark Sounds and unique Subject Matter on this Album would be hugely influential on the future of Rock Music.

As Rock Music continued to evolve beyond "Teen Pop Music" focused on Hit Singles, locally popular San Francisco Band The Grateful Dead released their Self-titled Debut Album which Charts at US #73. Two Singles were released but failed to reach the US Top 100 (Songs).

Los Angeles Band Buffalo Springfield hit the US Top Ten (#?) with the Single "For What It's Worth" a Song about the Sunset Strip Protests of the previous year (Album "?) The Song would go on to sell over a million copies.​

Crooner Frank Sinatra's duet with his Daughter Nancy "Something Stupid" goes to #1 in both the US and the UK. It is the only time a Father and Daughter Duet has reached #1 on the US Pop Chart.

American Guitarist Jimi Hendrix goes to London to get signed. The "Jimi Hendrix Experience" was released as their debut Album in the UK. The album would spend 33 weeks on the UK charts and ? in the US. In July Hendrix toured the US as the opening act for The Monkees in support of the US album release.

Despite "Negative Press" calling them the "Pre-Fab Four" for using only Studio Musicians on their Records, The Monkees hit #1 US, and #5 UK with the Single "Daydream Believer". It is their 3rd and final US #1 single and their 4th UK Top Ten hit (Songs?).

Atlanta Singer Arthur Conley hits #2 US, #2 US R&B, and #7 UK with his Single "Sweet Soul Music" co-written by Conley and Otis Redding, but based on a Sam Cooke Song. The Single is recorded at Fame Studios in Muscle Shoals, Alabama.

Washington DC Duo Peaches and Herb have their 1st Top Ten hit in the US (#?) with "Close Your Eyes". Herb Fame would continue the act into the 1980s with 7 different Women singing in the role of Peaches.

Bronx, New York Garage Rock Band The Blues Magoos hit #5 US with their single "(We Ain't Got) Nothin' Yet" from their debut Album "Psychedelic Lollipop." This is the first major Rock Album with the term "Psychedelic" in the title. The Single was a "One-Hit" Wonder.

New Orleans, R&B and Soul Singer Aaron Neville hit #2 US Pop and #1 US R&B with his Single "Tell It Like It Is" which went on to sell over a million copies on the tiny New Orleans record label Par-Lo owned by the Songs' Writers George Davis and Lee Diamond.

San Francisco Band Jefferson Airplane's 2nd album, "Surrealistic Pillow", is released and reaches #3 in the US. The Album also brings them 2 US Top Ten Singles "Somebody To Love" and "White Rabbit".

Detroit Singer Aretha Franklin, releasing records since 1960 on Columbia Records, switches to Atlantic Records and hits #1 US, and #10 UK with her "Cover" of Otis Redding's Song "Respect". Franklin would go on to have over 15 US Top Ten hits. Her influence on the Rock Community is immense, to say the least!

UK Band Procol Harum had a #1 UK and #5 US Hit with their debut Single "Whiter Shade of Pale". The Single would go on to sell over 10 million copies and would be influential in the development of "Progressive Rock."

Van Morrison, former Lead Singer of Belfast Band Them, has a #10 US hit as a Solo Artist with the Single "Brown Eyed Girl" on Bert Berns' Bang Records. One line of the Songs' Lyric is replaced to make it Radio Friendly.

The self-titled Debut Album from Long Island Band Vanilla Fudge is released and the Album reaches #6 on the US Album Chart. With extended Arrangements and Slowed Tempos, the Band is seen as a link between the Fusion of Psychedelia and what became Heavy Metal.

UK-based Australian Band, The Bee Gees (which stands for The Brothers Gibb) released the Album "Bee Gees" which reached #7 US, and #8 UK. The Group would score 3 top twenty hit singles in 1967 including the #1 UK, #11 US Single "Massachusetts"... others were (?)

More Psychedelic Rock from the UK, as the Band Pink Floyd released their Debut Album - "The Piper At The Gates of Dawn." The Album goes to #6 in the UK but fails to break through in the US where it stalls at #131.

Former Folk Singer Scott McKenzie hits #1 UK, and #4 US with the Single "San Francisco (Be Sure to Wear Flowers in Your Hair)" written for him by his Friend John Phillips Singer-Songwriter for the Group The Mama's and The Papa's.

The Grass Roots, a Band formed to record the songs of American Songwriters P.F. Sloane and Steve Barri, scored their 1st Top Ten hit in the US with the Single "Let's Live For Today". The Band would have 5 more US Top 20 hits, but never Charted in the UK. (Interesting as to Why?)

Often referred to as the first "Super-Group", UK Band Cream, made up of Jack Bruce, Ginger Baker, and Guitarist Eric Clapton, embark on their first headlining Tour of the US in support of their 2nd Album "Disraeli Gears." The Album would Chart at #4 US, #5 UK, and go Platinum in the US.

Mississippi Singer-Songwriter Bobbie Gentry's First-person Narrative about a Suicide tops the US charts for 4 weeks as her Debut Single... "Ode to Billie Joe", which also reaches #13 UK. The Song is the Title Track to Gentry's Debut Album that reached #1 US Country.

After mesmerizing the Crowd at Monterey, San Francisco's, Big Brother and the Holding Company, featuring Vocalist Janis Joplin... they signed with Columbia Records and released their Debut Album which hits #60 US. The Band would release 2 Albums before Joplin left for a Solo Career.

Memphis Band The Boxtops, including 17-year-old gravel-voiced Singer Alex Chilton, topped the US Charts for 4 weeks and hit #5 UK with their Debut Single "The Letter". The Band would release 4 Albums before breaking up in the late '60s.

San Francisco's The Steve Miller Band received $860,000 for signing with Capitol Records, one of the biggest Contract Advances ever at the time. They would release their Debut Album, "Children Of The Future" (#134 US), in February 1968.

Scottish Singer Lulu appears in the hit Film "To Sir With Love" and reached #1 in the US with the Title Track for 5 weeks. The Song also charts at #11 in the UK. Lulu had 3 previous Top Ten hits in the UK, first hitting the Charts in 1964 when she was 15.

UK Band The Moody Blues released the Concept Album "Days of Future Passed" reaching #27 UK, which fuses Rock and Orchestral Music. Re-released 5 years later in the US, the Album Charts at #3. The Single "Nights In White Satin" from the Album hits #2 US.

Rhode Island Brothers The Cowsills had a #2 US hit with the Psychedelic-influenced Single "The Rain, The Park and Other Things". Adding their Younger Sister and Mother, the Band had 2 more Top Ten hits and inspired the Partridge Family TV Show.

Canadian Poet Leonard Cohen turns to Music and released his Debut Album - "Songs of Leonard Cohen" which reached #13 UK, and #83 US. Cohen would go on to an almost fifty-year-long Career in Music.

Toots and the Maytals have a Hit in Jamaica with the Single "54-46 That's My Number" considered by many to be the 1st Reggae Song. Evolving from Ska and Rocksteady, Reggae hits spread to the US and UK throughout the 70's and beyond.

1967 Top 40 Albums - British in Red

1 The Beatles - Sgt Pepper's Lonely Hearts Club Band
2 Jimi Hendrix - Are You Experienced?
3 The Doors - The Doors
4 Cream - Disraeli Gears
5 The Velvet Underground - The Velvet Underground & Nico
6 The Monkees - More Of The Monkees
7 LOVE - Forever Changes
8 Jimi Hendrix - Axis: Bold As Love
9 Aretha Franklin - I Never Loved a Man the Way I Love You
10 The Rolling Stones - Between The Buttons
11 Jefferson Airplane - Surrealistic Pillow
12 Bob Dylan - Bob Dylan's Greatest Hits
13 The Monkees - Headquarters
14 The Monkees - Pisces, Aquarius, Capricorn & Jones Ltd
15 The Doors - Strange Days
16 Original Soundtrack - A Man & A Woman
17 Herb Alpert - Sounds Like
18 Elvis Presley - How Great Thou Art
19 Pink Floyd - The Piper At The Gates Of Dawn
20 Bobbie Gentry - Ode To Billie Joe
21 Herb Alpert - SRO
22 The Four Tops - Four Tops Greatest Hits
23 Traffic - Mr. Fantasy
24 The Who - The Who Sell Out
25 The Rolling Stones - Flowers
26 The Temptations - Temptations Greatest Hits
27 The Byrds - Younger Than Yesterday
28 Engelbert Humperdinck - The Last Waltz
29 The Kinks - Something Else by The Kinks
30 The Byrds - The Byrds' Greatest Hits
31 Bee Gees - Bee Gees First
32 Engelbert Humperdinck - Release Me
33 Vanilla Fudge - Vanilla Fudge
34 The Mamas & The Papas - Mamas & The Papas Deliver
35 The Four Tops - Reach Out
36 The Beach Boys - Smiley Smile
37 Otis Redding - Live In Europe
38 Tom Jones - Green Green Grass Of Home
39 Ed Ames - My Cup Runneth Over
40 Procol Harum - Procol Harum

1967 Top Songs - British - Classic Rock

1 Procol Harum - A Whiter Shade of Pale
2 The Monkees - I'm a Believer
3 The Beatles - All You Need is Love
4 The Beatles - Hello, Goodbye
5 The Beatles - Penny Lane
6 Bee Gees - (The Lights Went Out In) Massachusetts
7 Scott McKenzie - San Francisco (Wear Some Flowers in Your Hair)
8 The Monkees - Daydream Believer
9 The Box Tops - The Letter
10 The Doors - Light My Fire
11 Nancy Sinatra & Frank Sinatra - Somethin' Stupid
12 The Beatles - Strawberry Fields Forever
13 Aretha Franklin - Respect
14 Sandie Shaw - Puppet On a String
15 Tom Jones - The Green Green Grass of Home
16 Engelbert Humperdinck - The Last Waltz
17 The Monkees - A Little Bit Me, a Little Bit You
18 Petula Clark - This is My Song
19 The Turtles - Happy Together
20 The Tremeloes - Silence is Golden
21 The Rolling Stones - Ruby Tuesday
22 The Seekers - Georgy Girl
23 Lulu - To Sir, With Love
24 Bobbie Gentry - Ode To Billie Joe
25 Jefferson Airplane - White Rabbit
26 Engelbert Humperdinck - Release Me (And Let Me Love Again)
27 The Young Rascals - Groovin'
28 Van Morrison - Brown Eyed Girl
29 Royal Guardsmen - Snoopy Vs the Red Baron
30 The Rolling Stones - Let's Spend the Night Together
31 The Small Faces - Itchycoo Park
32 Spencer Davis Group - Gimme Some Lovin'
33 The Easybeats - Friday On My Mind
34 The Monkees - Pleasant Valley Sunday
35 Sam & Dave - Soul Man
36 Jefferson Airplane - Somebody to Love
37 Brenton Wood - Gimme Little Sign
38 Arthur Conley - Sweet Soul Music
39 Jimi Hendrix - Purple Haze
40 The Cowsills - The Rain, The Park & Other Things

My Take on 1967

In 1966, the music scene was undergoing a significant transformation, marking a pivotal year in the evolution of rock and roll:

Transition from "rock and roll" to "rock": 1966 was a crucial year in the shift from the term "rock and roll" to simply "rock," signaling a change in the genre's perception and artistic ambitions.

Album-oriented focus: 1966 was the last year that seven-inch singles outsold twelve-inch LPs, indicating a shift towards album-oriented rock.

Experimental and complex compositions: Bands like The Beach Boys and The Beatles were pushing the boundaries of rock music with more complex harmonies, unconventional instruments, and experimental studio techniques.

Concept albums: The Beach Boys released "Pet Sounds" in 1966, followed by The Beatles' "Sgt. Pepper's Lonely Hearts Club Band" in 1967, both considered early concept albums that elevated the artistic status of rock music.

Diverse influences: Rock music in 1966 was drawing from various sources, including early rock and roll, rhythm and blues, soul, country, rockabilly, and musical theater.

Technological advancements: Songs like The Beach Boys' "Good Vibrations" showcased the use of new recording technologies and production techniques.

Emergence of psychedelia: 1966 saw the rise of psychedelic rock, with bands incorporating new sounds and themes influenced by mind-altering experiences.

Continued relevance of R&B and soul: While rock was evolving, R&B and soul music remained significant influences and parallel developments in the music scene.

British Invasion influence: British bands like The Beatles, The Rolling Stones, and The Who continued to shape the sound and direction of rock music.

Heightened artistic ambitions: Rock musicians began to view their work as a serious art form, moving beyond the perceived limitations of early rock and roll.

This period marked a significant evolution in rock music, transitioning from its earlier, simpler forms to a more complex and artistically ambitious genre. The changes in 1966 set the stage for the diverse rock subgenres that would emerge in the following years.

In 1966, several artists were particularly influential in shaping the music scene:

The Beatles: They continued to push boundaries with innovative studio techniques and more complex compositions. Their album "Revolver" was released in 1966, featuring experimental tracks like "Tomorrow Never Knows" and "Eleanor Rigby".

The Beach Boys: Their groundbreaking album "Pet Sounds" was released in 1966, elevating rock music to new artistic heights. The single "Good Vibrations" showcased advanced recording technologies and production techniques.

Bob Dylan: Already a prominent figure in folk music, Dylan continued to influence the rock scene with his poetic lyrics and evolving sound.

The Rolling Stones: They released the album "Aftermath" in 1966, further establishing their place as one of the most influential rock bands of the era.

The Who: They were part of the British Invasion and contributed to the evolving rock sound.

Otis Redding: A major force in soul music, Redding recorded hit songs like "Try a Little Tenderness" in 1966.

The Byrds: They were influential in developing folk rock and early psychedelic rock.

James Brown: He continued to be a dominant force in R&B and soul music.

The Kinks: They were part of the British Invasion and contributed to the rock scene of the mid-1960s.

Jimi Hendrix: Although his debut album wasn't released until 1967, Hendrix was already making waves in the music scene in 1966.

These artists were instrumental in the transition from early rock and roll to more complex and experimental forms of rock music, as well as the emergence of psychedelic rock and the continued importance of R&B and soul in shaping the overall music scene of 1966.

In 1966, several major musical trends defined the evolving landscape of popular music:

Transition from Rock 'n' Roll to Rock: The year marked a significant shift from the simpler rock 'n' roll of the 1950s to more complex and experimental rock music. This transformation was led by artists like The Beatles, The Beach Boys, and Bob Dylan, who pushed the boundaries of the genre with innovative studio techniques and sophisticated compositions.

Album-Oriented Rock: 1966 saw the rise of the long-playing album (LP) as the dominant medium over the single. Albums like The Beatles' "Revolver" and The Beach Boys' "Pet Sounds" exemplified this trend, showcasing cohesive artistic statements rather than collections of singles.

Psychedelic Rock: This subgenre began to take shape, characterized by experimental sounds, surreal lyrics, and influences from Eastern music. Songs like The Beatles' "Tomorrow Never Knows" and The Rolling Stones' "Paint It Black" incorporated psychedelic elements.

Folk Rock and Protest Music: Folk rock continued to grow, with artists like Bob Dylan blending folk music's lyrical depth with rock's electric sound. Social and political issues became prominent themes, reflecting the turbulent times.

Technological Innovations: Advances in recording technology allowed for more elaborate production techniques. Multi-track recording became more streamlined, enabling artists to experiment with sound in new ways. The Beatles' use of tape loops and unconventional instruments on "Revolver" is a notable example.

Diverse Influences and Fusion: Rock music in 1966 was influenced by a variety of genres, including blues, jazz, and classical music. This fusion led to innovative sounds and the creation of new subgenres like acid rock and garage rock.

Rise of the Guitar Hero: The concept of the "guitar hero" emerged, with musicians like Eric Clapton gaining prominence for their virtuosic playing. This trend would continue to shape rock music in the following years.

Social and Cultural Impact: Music in 1966 began to reflect and influence broader cultural and social changes. The connection between artists and their audiences grew stronger, with music becoming a medium for expressing and shaping public opinion on various issues.

These trends collectively contributed to making 1966 a landmark year in the history of rock music, setting the stage for future developments in the genre.

The year 1965 marked a significant period in the evolution of music, with diverse genres and styles emerging and gaining popularity. Here is my Take:

Rise of Folk Rock: 1965 saw the emergence of Folk Rock Fusion as a major Genre, blending Elements of Folk Music with Soft Rock and Roll. Bob Dylan's Electric Guitar Performance at the Newport Folk Festival signaled this shift. Dylan performed 4 Acoustic Songs, "All I Really Want to Do", "If You Gotta Go, Go Now", "Maggies Farm," and "Love Minus Zero/No Limit"

Dylan's performance inspired many Artists to blend Elements from both Styles... changing the Definition of "Folk Music" forever. One group benefited immensely from Dylan's performance... the Byrds who were at the forefront of creating the Folk Rock Genre. Their version of "Mr. Tambourine Man" reached number one on both the U.S. and UK charts in 1965, establishing them as International Stars. (Bob Dylan's Version)

The British Invasion Continued:

The British Invasion, which began in 1964, continued to influence American music. The statistical high point of the British Invasion occurred on June 18, 1965, when 14 records by British Artists occupied spots in the US Top 40 chart - a record that stood until 1983. The year saw another wave of Artists emerge. This included Groups playing in a more Pop Style (like The Hollies and The Zombies) as well as those with a harder-driving, Blues-based approach (like The Who).

Motown's Golden Age:

Motown Records was at its peak, producing hit after hit with its signature Soul Sound. Artists like The Supremes, The Temptations, and Marvin Gaye were topping the Charts... Little Stevie Wonder was no longer Little, Martha and the Vandellas continued to be prominent, Gladys Knight and the Pips and the Miracles were still hot.

Psychedelic Beginnings:

The seeds of psychedelic rock were planted in 1965, with bands like The Beatles experimenting with new sounds in albums like "Rubber Soul".

Also, Dylan's complex, poetic Lyrics and willingness to address Social and Political Themes expanded the possibilities for Rock Songwriting beyond simple love songs... plus experimenting with longer, more complex compositions took on the Radio Stations 3-minute Rule. His success in pushing Musical Boundaries switching to an Electric Guitar for a few Songs encouraged others to experiment and evolve their Sounds and Lyrics.

His Album "Highway 61 Revisited" was released in 1965 and is often cited as influential in the development of Psychedelic Rock, with its surrealistic Lyrics and innovative Musical Arrangements.

Traditional Musicals:

While popular music was evolving rapidly, traditional musicals still held significant cultural influence. "The Sound of Music" film was released in 1965, becoming one of the most successful movie musicals in history.

Technological Advancements:

Improvements in recording technology have allowed for more complex Productions... Multi-track Recording became more sophisticated, enabling artists to create Layered, intricate Soundscapes. The Moog Synthesizer allowed Musicians to create and manipulate Electronic Sounds, opening up new possibilities for Production and Composition.

Protest Music:

The Socio-political Climate of the 1960s influenced music greatly. Protest Songs addressing Civil and Women's Rights, the Vietnam War, and other social issues became increasingly popular... Phil Ochs "I Ain't Marching Anymore", Bob Dylan's "Blowin' in the Wind," "The Times Are a-Changin", and "Eve of Destruction" by Barry McGuire Songs are among the best for me.

Jazz Evolution:

Jazz continued to evolve, with Artists pushing the Boundaries of the Genre into more experimental Territories. Pete Seeger, Muddy Waters, Dizzy Gillespie, Miles Davis, John Coltrane, Dave Brubeck, Herbie Mann, Duke Ellington, Stan Getz, and Count basie round-out the Top O' the Heap!

Country Music:

Country music was also a changin', with the "Nashville Sound" continuing to dominate, featuring smoother Production and more Pop-influenced arrangements. This style, pioneered by Producers like Chet Atkins, Steve Sholes, Owen Bradley, and Bob Ferguson aimed to make Country Music more palatable to Urban listeners.

Crossover Hits:

There was an increasing trend of songs crossing over between different charts (pop, R&B, country), indicating a blending of musical styles and audiences... including:

The Righteous Brothers - "You've Lost That Lovin' Feelin'"... Song topped both the Pop and R&B Charts, exemplifying the Blue-eyed Soul Sound.

The Four Tops - "I Can't Help Myself (Sugar Pie, Honey Bunch)"... Motown hit reached #1 on both Pop and R&B Charts, showcasing Motown's ability to cross Genre Boundaries.

The Supremes - "Stop! In the Name of Love" and "Back in My Arms Again"... Both songs topped the pop and R&B charts, further cementing The Supremes' crossover appeal.

James Brown - "Papa's Got a Brand New Bag"...This Funk Classic reached #8 on the Pop Charts while topping the R&B Charts, helping to popularize Funk Music.

Roger Miller - "King of the Road"... This song was a rare triple Crossover, reaching #4 on the Pop Charts, #1 on the Country Charts, and #3 on the Easy Listening Charts.

Sam the Sham and the Pharaohs - "Wooly Bully"... the Song combines Elements of Rock, Dance Rock, and Traditional Mexican-American Conjunto Rhythms.

Willie's Personal Top 10 of 1967

The Rolling Stones - "(I Can't Get No) Satisfaction"

The Song, with its iconic Guitar Riff created by Keith Richards, captured the frustration and disillusionment of the Youth during the 1960s, resonating deeply with Listeners. It became the Band's first number-one Hit in the United States and is often credited with solidifying their status as Rock Legends. The Track's raw energy and Rebellious Spirit helped define the Sound of Rock n Roll, influencing countless artists and bands that followed.

2. The Beatles - "Ticket to Ride"

Primarily composed by John Lennon, with contributions from Paul McCartney, the Song features a distinctive, Heavy Sound that was groundbreaking for its time. The Track is characterized by its droning A Chord, unconventional Drum Pattern inspired by Arabian Rhythms, and George Harrison's prominent 12-String Guitar Riff. Lyrically, it explores Themes of Romantic departure and Independence, with potential references to the Isle of Wight town of Ryde. "Ticket to Ride" showcases the Beatles' growing Musical Sophistication, blending Elements of Rock, Psychedelia, and World Music influences.

2. Barry McGuire - "Eve of Destruction"

The Song addresses a range of pressing Issues, the Vietnam War, the threat of Nuclear Annihilation, Civil Rights struggles, and Societal Hypocrisy. Its raw, urgent Lyrics and McGuire's impassioned delivery struck a Chord, making it an Anthem of Dissent and a Call for Change. Despite, or perhaps because of, its controversial Nature, the Song created stirring widespread Debate. Its stark portrayal of a World teetering on the brink of Destruction resonated deeply, reflecting the Anxieties and Aspirations of my Generation, especially Moi!

3. The Yardbirds - "Heart Full of Soul"

The Song is a landmark Track that showcases the Band's innovative Fusion of Rock and Eastern Musical Influences. It was the first Single released after Jeff Beck replaced Eric Clapton as Lead Guitarist. Initially, recorded with a Sitar to capture an Indian Sound, the Band ultimately opted for Beck's Electric Guitar, which emulated the Sitar's Timbre using a Fuzz Box. This pioneering use of Indian-influenced Guitar Stylings and Fuzz effects marked one of the earliest examples of Raga Rock. The Song's dark, haunting Melody, combined with Keith Relf's emotive Vocals, conveys themes of vulnerability and regret. It remains a defining Track in the Yardbirds' Catalog, influencing the development of Psychedelic and Garage Rock.

4. Beatles - "Rock "N" Roll Music"

Originally written and recorded by Chuck Berry in 1957, their rendition showcases John Lennon's dynamic Vocal performance, which contrasts with Berry's more measured Style and features George Martin (the 5th Beatle) on Piano. This Cover became a staple in their live Repertoire and was later included in the compilation Album "Rock 'n' Roll Music" released in 1976. The Song captures the essence of Rock n Roll, celebrating its infectious Rhythm and Danceability.

5. The Who - "My Generation"

It features Roger Daltrey's distinctive Stuttering Vocals, which were intended to convey the Frustration and Anger of the Youth at the time. The Song's aggressive Instrumentation, including one of the first Bass Solos played by John Entwistle, that perfectly complements its defiant Lyrics. Its impact on Rock music is significant, with many considering it a Proto-punk Song that influenced subsequent generations of Musicians.

6. The Byrds - "Turn! Turn! Turn!"

The Folk Rock's Lyrics are adapted almost verbatim from the Book of Ecclesiastes in the Bible. The Byrds' version, featuring Jim McGuinn's distinctive 12-String Rickenbacker Guitar Sounds, became their second number-one hit on the Billboard Hot 100 chart. It resonated strongly with the Public during the escalating Vietnam War... its message of Peace and the cyclical Nature of the Time struck a Chord with listeners.

7. The Rolling Stones - "The Last Time"

The Seminal Song features a distinctive Guitar Riff played by Brian Jones, with Keith Richards contributing Rhythm Guitar and Backing Vocals. The Song's Chorus borrows from the traditional Gospel Song "This May Be the Last Time," popularized by the Staple Singers... although the Stones adapted it with a more Rock-oriented and harder-hitting Sound.

8. Dave Clark Five - "Over and Over"

The song showcases the Band's signature energetic Style, featuring Mike Smith's powerful Lead Vocals and the Group's tight Instrumental backing. The Song exemplifies the DC5's ability to deliver Catchy, Uptempo Rock Songs that resonated with audiences during the British Invasion era. The song's driving Ehythm, punctuated by Dave Clark's distinctive Drumming and Denis Payton's Saxophone Riffs, helped solidify the Band's reputation as one of the leading Acts of the period.

9. The Beach Boys - "California Girls"

The Track is celebrated for its upbeat Melody and catchy Chorus, which expresses a longing for the idealized Lifestyle and beauty of California Women. Wilson's innovative Production Techniques shine through... featuring a distinctive 12-string Guitar intro played by Carl Wilson, which evokes a sunny, laid-back vibe reminiscent of the California Surf Culture. The Song's Lyrics contrast the charm of Girls from various Regions of the US... ultimately culminating in the iconic refrain, "I wish they all could be California girls."

10. The Animals - "We Gotta Get Out of This Place"

The Song features Eric Burdon's gritty, passionate Vocals and a distinctive opening Bass Line that immediately captures the urgency of its Message. Its Lyrics depict a Working-class Struggle and the desire to escape difficult circumstances, resonating strongly with Listeners. It gained particular significance during the Vietnam War, becoming immensely popular among US Soldiers and effectively serving as an unofficial Anthem for American Soldiers.

My Take on the Sounds of 1966

This year saw the rise of influential Rock Bands and the continued evolution of Pop Music. The British Invasion was in full swing, with The Beatles and The Rolling Stones dominating the Charts. The Byrds brought Folk Rock to the forefront... Bob Dylan's performance at Newport Jazz Fest where he "Went Electric" stunned many but I was all for it as I like both sides of their Sounds... we are on our way to Woodstock... Rock On ♪♪♪

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